The white album is out and sending out the vibes. But what vibes? Let us melt those wax wings and dive into the California beech rock boys new release.

Musical style? Classic on most tracks in full emulation of every commercial success since “Say it Ain’t So.” But Cuomo says it is so in an iheartradio interview. “…it’s a straight up super sunny ‘Weezer at the beach’ album.”

Lyrical content? All the post-classic radio single themes are back: Lifting up girlz to angelic status while referring to them as being the antagonist in an abusive relationship and calling them evil; encouraging reckless-abandonment without planning into selfish indulgence and one sided fantasies; a whole song about smoking pot; pontificating on dartboard style fledgling fascination with random sciencey sounding Big Bang Theory level content. The final song, “Endless Bummer,” is a ballad about being generally upset about a relationship with a nineteen year old responsible female presumably with self-confidence and ownership of a car along with a moral deference with the song writer whom I hope is not trying to get a date with girlz less than half his age.

In comparison to the good Weezer albums, one might notice a lack of work ethic, self-realization, respect for other people’s dreams, and recognizing the female sex as an equal part of the human species to male. There also happens to be a continued fascination with Greek mythology, the type that lifts man up as the apex of beauty.

What vibes? Anything popular. I am convinced that if this album was written months later then there would be content about gravity waves, Brussels bombing, and something demeaning about Trump. Anti-misogyny is popular in part to Weezer’s past albums, but whatever the opposite to misogyny is might be the inspiration for much of the lyrics. Crippling self-doubt, anyone? It’s all the rage on Facebook.

I have listened, painstakingly, to every one of Weezer’s albums. The first four were great and that is why I keep coming back: because there is a flash of hope with every release that one might feel the embrace of bleeding heart stoicism and identifiable songwriting. 2014 brought hope, but it was a Trojan horse.

If lyrical content is important to you, avoid this album. You might end up depressed that you are not Weezer or a girlz.