DIALOGUE: THE CRIMSON BRIDGE MINISTRY – REMNANT ROCK

THE CRIMSON BRIDGE MINISTRY – REMNANT ROCK

tinyayholev1a

I do not really like the first song. It might be too slow; it might be too boring; it might be trying too hard. The guitar solo in the middle is terrible. I do not have anything good to say about it except the message is clear.

 

tinyjunkheadv1a

Yeah, “The slate is clean/John 3:16” is definitely the grossest thing the album has to offer and it’s front and center. It definitely picks up around the third track.

 

tinyayholev1a

The third track is good, so we are just going to skip right to it. “Two Wolves” is good because there is this reoccurring motif about two wolves inside the soul locked in a never ending feud, referring to some Native American proverb.

 

tinyjunkheadv1a

That’s crazy. If we’re going to keep talking about lyrics, I like the next tracks, “Cut You Loose” and “Venom”, the most. Both have a the-harsh-reality-of-being-a-Christian-in-the-modern-world feel to them. It’s great to have a band like this telling you there are challenges to the normal God is good Christian rock thing.

tinyayholev1a

I agree that with what you said, however, Trashman could be the next Christian rock anthem. Campbell does not pull any punches with these rhymes.

I can’t clean up your act
I’m not a trash man or a heart attack
I got no voodoo or emergency room
To fix all the trouble that you get into
But GOD can

I just read on his lyrics page that the first track, “Break the Chains,” is actually an attempted radio edit for a 6 and a half minute epic. I kind of wish they’d left it.

tinyjunkheadv1a

For it being the only really bad song, I can’t imagine it getting better by tacking on another three minutes of chorus and solos. They also randomly play the song again at the end of the album, as though reprising it will somehow make you feel better about having to smell its stink the first time around. The last couple of tracks also feel out of place among the heavy riffing. “Glorify You” gets all power poppy out of nowhere and “The Crimson Bridge” is folky snoozer stuff.

tinyayholev1a

I want to finish up talking about lyrics, but I also do not want to talk about “Weight of the World.” It is almost too cliche even for me, and since musically it seems to offer nothing I think we should skip it and move right on to Deaf Revolution.
Any thoughts on “Weight of the World?” Listening to the whole song now, the break down after the guitar solo is really cool, but then the crumby guitar comes back.

tinyjunkheadv1a

“Weight of the World” has a really cool Sabbath-sludge riff, so I can definitely stomach it.

 

tinyayholev1a

I thought you’d like it because Campbell mentions Dio in the liner notes.

 

tinyjunkheadv1a

I’ve always liked the gargantuan riff type metal over the poppy polished Van Halen stuff, but most of that works really well here too. It’s funny how the whole album spans a ton of metal styles without sounding all over the place, ignoring those last two tracks I already mentioned.

tinyayholev1a

The album as a whole is very pleasing. I can listen to the whole thing without skipping anything. But I would probably never drop the needle in the first or second track if vinyl ever becomes available.

 

tinyjunkheadv1a

There’s a hot streak from track four to track nine. It’s all tough rock with lyrics that never get too heavy-handed. Even for a man who concerns himself with secular things, it feels really honest music, which is more than you can ask from most Christian rock.
A lot of the time you just throw in a bunch of cliched garbage about Jesus and you’ve got an album for a rabid niche crowd. I can officially say that The Crimson Bridge are not posers.

tinyayholev1a

Certainly not. At risk of sounding like a flip-flop, I actually think the tracks “Glorify You” and “The Crimson Bridge” are lyrically shameless and bold. I greatly appreciate Campbell’s heart rending core beliefs on those tracks.

 

tinyjunkheadv1a

I dunno, after being all hard for most of the album, it feels a little too soft so suddenly.

 

tinyayholev1a

Onto the vocals.  Here is from my personal write-up:
The backup vocals are elegant and punching in a sort of devil-may-care-hair-metal-Queen-parallel-fourths-all-over-the-place way. That’s DMCHMQPFAOTP for short. The backup vocals are musically the best part of the whole album.

tinyjunkheadv1a

It’s kind of funny, I think Campbell sounds really nerdy and nasal, but he sounds super tough anyway because the music is balls to the wall.
Manilla Road is a band that has a similar vocalist sound.

tinyayholev1a

Another cool thing about the vocals is the interlude at the two minute mark in Deaf Revolution, the track which we have not lyrically analyzed yet. Apparently Fernando Ramirez is the troll voice. What a great break down!

 

tinyjunkheadv1a

Fernando Ramirez?

 

tinyayholev1a

That’s his name
Hey dude, we should wrap this up…
My time has come

tinyjunkheadv1a

You got big plans?

 

tinyayholev1a

There are people in my living room

 

tinyjunkheadv1a

Oh wow, alright.
So I feel like I concluded a while ago by saying they aren’t posers.

tinyayholev1a

That’s cool. I really think this is a killer album

 

The Crimson Bridge Ministry is a Christian Hard Rock project written by Greater San Diego resident, Norm Campbell.  You can hear Remnant Rock on Youtube or ask politely and Nick Campbell money and an email to receive a physical copy.